Roster+of+Presenters

Jackson-MyBody-MSA [] || Prof. Sherwood ||  || MSA Wiki || Julia Grove ||  || http://iupengl771.wikispaces.com/Electronic+Literature+Chapter+4%2C+Critical+Analysis+Presentation-Amy+Klemm || Amy Klemm ||  || Screen, [] http://iupengl771.wikispaces.com/ALI+ALAHDAL+MSA || Ali Alahdal ||  || http://iupengl771.wikispaces.com/ALI+ALAHDAL+CAP || ALI ALAHDAL ||  || [] || Muhammad Alatrash ||  || http://collection.eliterature.org/2/works/abrahams_separation/separation/index.htm# || Gina Lemmon ||  || http://collection.eliterature.org/2/works/davis_pieces_of_herself.html || Erin Guydish ||  || Clifford-MSA [] || Jessica Showalter ||  || Munroe-MSA [|http://collection.eliterature.org/2/works/munroe_everybodydies.html] || Stephen Zimmerly ||  || http://collection.eliterature.org/2/works/nelson_game.html || Andrew Smith ||  || http://iupengl771.wikispaces.com/KamalSalem+CAP || Kamal Salem ||  ||   ||   ||   || Johnston-MSA || Mona Albalawi ||  || p. 165-179 || Andrew Smith ||  || Jason Nelson, This is how you will die [] || Stefan Schneider ||  || [] || Amy Klemm ||  || No CAPs OR MFAs. Everyone share there final project during the last class.
 * **Week** ||  ||   ||   ||   ||   ||   ||   ||   ||
 * ||  ||   |||| **Roster for Critical Article Presentations (CAPs)** |||||| **Roster for Media Specific Analysis Presentations (MSAs)** ||   ||
 * ||  ||   || Author /Title || Presenter ||   || Author, Title. LInk to MSA and Link in ELC vol 2 || Presenter ||   ||
 * 2 || 31 |||||||||||| Hypertext ||  ||
 * ||  ||   || Coover. Literary Hypertext-The Passing of the Golden Age - CFA article:[]) || Prof. Sherwood || . || Shelly Jackson, My Body a Wunderkammer.
 * 3 || 7-Feb |||||||||||| Hypertext ||  ||
 * ||  ||   || Murray, From Game-Story  pp. 2-11 || Salim Al Ibia ||   || [|88 Constellations for Wittgenstein] David Clark
 * 3 || 7-Feb |||||||||||| Hypertext ||  ||
 * ||  ||   || Murray, From Game-Story  pp. 2-11 || Salim Al Ibia ||   || [|88 Constellations for Wittgenstein] David Clark
 * 4 || 14 |||||||||||| Kinetic, Screen ||  ||
 * ||  ||   || Vannevar Bush. “As We May Think” || Mona Albalawi ||   || Piringer's Sound Poems: || Salim Al Ibia ||   ||
 * ||  ||   ||   ||   ||   || Tail Spin- Christine Wilks || Julie Pavlick ||   ||
 * 5 || 21 |||||||||||| Time Based ||  ||
 * ||  ||   || Hayes, Chapter 4. 
 * ||  ||   || Hayes, Chapter 4. 
 * ||  ||   ||   ||   ||   || Kamal Salem: Seperation || Kamal Salem ||   ||
 * 6 || 28 |||||||||||| Text Generation / Combinatorial ||  ||
 * ||  ||   || Glazier, Loss. “Io Sono at Swoons” 
 * ||  ||   || Seaman, Bill. "Interactive Text and Recombinant Poetics--Media..."  || Julie Pavlick ||   ||   ||   ||   ||
 * 7 || 6-Mar |||||||||||| Gesture, Body, Image ||  ||
 * ||  ||   || Noland, Carrie. “Digital Gesures”  || Eliza Albert ||   || Annie Abrahams, Separation/S éparation
 * ||  ||   ||   ||   ||   || Juliet Davis, Pieces of Herself
 * || 13 ||  ||||||||||   ||   ||
 * 8 || 20 |||||||||||| Audio ||  ||
 * ||  ||   || Martin Spinelli, "Electric Line"  pp. 99-121 || Gina Lemmon ||   || Alison Clifford, The Sweet Old Etcetera.
 * ||  ||   || Martin Spinelli, "Electric Line"  pp. 99-121 || Gina Lemmon ||   || Alison Clifford, The Sweet Old Etcetera.
 * ||  ||   ||   ||   ||   || Jim Munroe, "Everybody Dies."
 * 9 || 27 |||||||||||| Machine Thinking, Chatterbots to IF ||  ||
 * ||  ||   || Walker. How I was played  p. 302 || Julia Grove ||   || Jason Nelson, "Game, Game, Game, and again Game"
 * ||  ||   || Nick Monfort, Interactive Fiction as story Game  pp. 310-316.
 * 10 || 3-Apr |||||||||||| Time Based Text ||  ||
 * ||  ||   || William Poundstone, "3 Proposals for Bottle Imps."  pp. 245-248 || Stefan Schneider ||   || the unknown: [] || Eliza Albert ||   ||
 * ||  ||   || John Cayley, "Time Code Language: New Media Poetics and Programmed Signification."  pp. 307-333.  || Stephen Zimmerly ||   ||   ||   ||   ||
 * 11 || 10 |||||||||||| Conceptual Performance, Appropriation, Chance ||  ||
 * ||  ||   || Utterback "Unusual Positions-Embodied Interaction with Symbolic Spaces"  || Erin Guydish ||   || [|"Sooth," David Jhave Johnston]
 * ||  ||   || Utterback "Unusual Positions-Embodied Interaction with Symbolic Spaces"  || Erin Guydish ||   || [|"Sooth," David Jhave Johnston]
 * ||  ||   || Goldsmith, Kenneth. “The Bride Stripped Bare” <NMP> || Muhammad Alatrash ||   ||   ||   ||   ||
 * 12 || 17 |||||||||||| Screen Space ||  ||
 * ||  ||   || Strickland and Lawson, “Vniverse” <NMP>
 * ||  ||   || "Screening the Page" NMP || Scott Ellis ||   ||   ||   ||   ||
 * 13 || 24 |||||||||||| Screen Space (cont.) ||  ||
 * ||  ||   || Jenkins. "Game Design." <FP> p. 118-130 || Jessica Showalter ||   ||   || Scott Ellis ||   ||
 * ||  ||   ||   ||   ||   || Sharon Daniel & Erik Loyer "Public secrets"
 * 14 || 1-May |||||||||||| No CAPs OR MFAs. Everyone share there final project during the last class. ||  ||