Schedule

[] ||<  ||<   || alternate link (this will "simulate" the IF within a browser): []
 * < Week ||<  ||<   ||<   ||<   ||<   ||<   ||
 * > 1 ||> 24-Jan ||||||< Introduction ||<  ||<   ||
 * <  ||<   ||<   ||< Strickland, Stephanie. Born Digital. Poetry.org ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Joyce, Michael. Twelve Blue. ELC ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Coover, Robert. “The End of Books”  and online ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Reading Rebooted – IUPDHC website ||< [|http://readingrebooted.iupdhc.org] ||<   ||<   ||
 * > 2 ||> 31 ||||||< Hypertext ||<  ||<   ||
 * <  ||<   ||<   ||< Jackson, Shelly. My Body. ELCv1 ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Rosenberg, Jim. Diagrams. ||< [[file:///home/sherwood/Dropbox/IUP-Active/Spring-2012/engl871/%20http://collection.eliterature.org/1/works/rosenberg__diagrams_6_4_and_10.html|http://collection.eliterature.org/1/works/rosenberg__diagrams_6_4_and_10.html]] ||<   ||<   ||
 * <  ||<   ||<   ||< Coover, Roderick. Voyage Into the Unknown. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Coover, Robert. Literary Hypertext: The Passing of the Golden Age. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Hayles. Electronic Literature. Chap. 1. E Lit What Is It (also online) ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Landow, George. “Reconfiguring the Text” from _Hypertext 3.0_  ||<   ||<   ||<   ||
 * > 3 ||< 7-Feb ||||||< Hypertext ||<  ||<   ||
 * <  ||<   ||<   ||< Carpenter, J. R. In Absentia. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Pullinger. Inanimate Alice ELC v1 ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Bouchardon et al. 12 Labors of the Internet User. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Hayles. Intermediation. Chap. 2.  ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Murray, From Game-Story  pp. 2-11 ||<   ||<   ||<   ||
 * > 4 ||> 14 ||||||< Kinetic, Screen ||<  ||<   ||
 * <  ||<   ||<   ||< Memmot, Talan. Lexia to Perplexia. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Stefans, Brian. The Dreamlife of Letters. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Morris, Adalaide. “New Media Poetics: As we may think”  ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Bush, Vannevar. “As We May Think [Memex]”  5 ||> 21 ||||||< Time Based ||<  ||<   ||
 * <  ||<   ||<   ||< Last Days of Betty Nkomo ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Babel and Escha. Urbanalities. ELCv1 ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Bigelow, Alan. Brainstrips. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Hayles., Chaps. 3 and 4.  ||<   ||<   ||<   ||
 * > 6 ||> 28 ||||||< Text Generation / Combinatorial ||<  ||<   ||
 * <  ||<   ||<   ||< Ault, Chris. Hot Air. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Wilde, Nanette. Story Land ELC ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Glazier, Loss. “Io Sono at Swoons”  ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Funkhouser, Chris. “ Text Generation” Prehistoric Digital Poetry  ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Seaman. Interactive Text and Recombinant...”  p. 227- ||<   ||<   ||<   ||
 * > 7 ||< 6-Mar ||||||< Gesture, Body, Image ||<  ||<   ||
 * <  ||<   ||<   ||< Waber, Dan. Strings. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Cho, Peter. Wordscapes. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Noland, Carrie. “Digital Gesures”  ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Cayley. The Pixel/The Line.  p. 208- ||<   ||<   ||<   ||
 * <  ||> 13 ||<   ||||< Break ||<   ||<   ||
 * > 8 ||> 20 ||||||< Audio ||<  ||<   ||
 * <  ||<   ||<   ||< Larsen, Deena. Carving at Possibility. ||< [[file:///home/sherwood/Dropbox/IUP-Active/Spring-2012/engl871/%20http://collection.eliterature.org/1/works/larsen__carving_in_possibilities.html|http://collection.eliterature.org/1/works/larsen__carving_in_possibilities.html]] ||<   ||<   ||
 * <  ||<   ||<   ||< Mencia, Maria. Birds Singing. ElcV1 ||< [[file:///home/sherwood/Dropbox/IUP-Active/Spring-2012/engl871/%20http://collection.eliterature.org/1/works/mencia__birds_singing_other_birds_songs.html|http://collection.eliterature.org/1/works/mencia__birds_singing_other_birds_songs.html]] ||<   ||<   ||
 * <  ||<   ||<   ||< Moulthrop, stuard. Radio Salience. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Spinelli, Martin. “Electric Line”  ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Mouthrop “From Work to Play”  p. 56- ||<   ||<   ||<   ||
 * > 9 ||> 27 ||||||< Machine Thinking, Chatterbots to IF ||<  ||<   ||
 * <  ||<   ||<   ||< Eliza.  ||< [] or
 * <  ||<   ||<   ||< Eliza.  ||< [] or
 * <  ||<   ||<   ||< Alice ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Short, Emily. Galatea ELC v1 ||< []

Optional: you may these of use: [] [|http://nickm.com/if/#advice] ||<  ||<   ||
 * <  ||<   ||<   ||< Weizenbaum, Joseph. “Computer Power and Human Reason[Eliza]” from MIT New Media Reader[| <ERes>] ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Walker. How I was played <FP> p. 302- ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Montfort. Interactive Fiction <FP> p. 310- ||<   ||<   ||<   ||
 * > 10 ||> 3-Apr ||||||< Time Based Text ||<  ||<   ||
 * <  ||<   ||<   ||< Poundstone. Project for Tachistcope ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Poundstone. Bottle imps. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Johnson, David. “Pomo” ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Cayley, John. “Time Code Language” <NMP> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Poundstone, William. “Three Proposals for Bottle Imps <NMP> ||<   ||<   ||<   ||
 * > 11 ||> 10 ||||||< Conceptual Performance, Appropriation, Chance ||<  ||<   ||
 * <  ||<   ||<   ||< Goldsmith, Kenneth. Solioquoy. ELC ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Beguilman. Code Movie One. ||< [[file:///home/sherwood/Dropbox/IUP-Active/Spring-2012/engl871/%20http://collection.eliterature.org/1/works/beiguelman__code_movie_1.html|http://collection.eliterature.org/1/works/beiguelman__code_movie_1.html]] ||<   ||<   ||
 * <  ||<   ||<   ||< Goldsmith, Kenneth. “The Bride Stripped Bare” <NMP> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Beiguelman, Giselle. “Nomadic Poetry” <NMP> ||<   ||<   ||<   ||
 * < x ||<  ||<   ||< Utterback. “Unusual Positions” <FP> p. 218- ||<   ||<   ||<   ||
 * > 12 ||> 17 ||||||< Screen Space ||<  ||<   ||
 * <  ||<   ||<   ||< Strickland and Lawson. Vniverse. Web. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Nelson, Jason. Poecube2 ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Nelson, Jason. DreamPhage. ELCv1 ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Perloff, Marjorie. “Screening the Page”<NMP> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Strickland and Lawson, “Vniverse” <NMP> ||<   ||<   ||<   ||
 * > 13 ||> 24 ||||||< Screen Space (cont.) ||<  ||<   ||
 * <  ||<   ||<   ||< Amerika, Mark. Filmtexte ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Leishman, Donna. The Possession. ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< America, Mark. From Remix the Book ||< [|http://remixthebook.com] ||<   ||<   ||
 * <  ||<   ||<   ||< Jenkins. Game Design. <FP> p. 118- ||<   ||<   ||<   ||
 * > 14 ||> 1-May ||||||< Presentations ||<  ||<   ||
 * <  ||<   ||<   ||< KEY ABBREVIATIONS FOR TEXT COLLECTIONS ABOVE ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< EL = Hayles, E Lit New Horizons; FP=WardripFruin, First Person: New Media; NMP=Morris, New Media Poetics; ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< ELCv1 = Electronic Literature Collection; Eres=IUP Password protected project directory ||<   ||<   ||<   ||
 * <  ||<   ||<   ||||||< Remainders – Read these as time allows! ||<   ||
 * <  ||<   ||<   ||< First Person: New Media As Story, Performance, and Game. Fruin and Harrigan ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Manovich, Lev. from _The Language of New Media_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Baldwin, Sandy. “A Poem is a Machine to Think With” <Web> ||< [] ||<   ||<   ||
 * <  ||<   ||<   ||< Asareth, Espen. From _Cybertext:Perspectives on Ergodic Literature_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Bernstein, Charles. “Artifice of Absorption” from _A Poetics_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Murry, Janet .”Immersion” from _Hamlet on the Holodect_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Memmot, Talan. “Beyond Taxonomy” <NMP> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Asareth, Espen. From _Cybertext:Perspectives on Ergodic Literature_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Bernstein, Charles. “Artifice of Absorption” from _A Poetics_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Murry, Janet .”Immersion” from _Hamlet on the Holodect_ <ERes> ||<   ||<   ||<   ||
 * <  ||<   ||<   ||< Memmot, Talan. “Beyond Taxonomy” <NMP> ||<   ||<   ||<   ||